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Volume IV: Gwo Moso Ti Kam Tant Mezi Ronma lan ekspò Priyè devan katedral.Volume III: Ti Sentaniz Madan Senvilus Lòk Tama Pè Tanmba.

Volume II: Zabèlbòk Berachat Bòs Chaleran.Sixto's influences in the Lodyans genre include Justin Lhérisson while his successors include Charlot Lucien. In 2018, Sixto, his work and legacy were the subject of an academic colloquium in Port-au-Prince. Sixto prefaces every story with Regards sur choses et gens entendu (Regarding Things Seen and People Heard). His ability to use rich, descriptive, and iconic Haitian Creole idioms and expressions create a narrative that displays the true face of Haitian culture. Sixto is remembered in Haitian culture for his contributions to oral literature. He eventually studied law at the Faculte de Droit from 1945–1948 while working for Radio HHBM (now MBC). Upon graduation he attended l'Academie Militaire where he remained for only three months. The son of an engineer, Maurice Alfredo Sixto and Maria Bourand, he attended St Louis de Gonzague in Port-au-Prince for his secondary studies. He was also a professor, ambassador, translator, and tour guide. To this day Sixto remains the best known author in the genre. Maurice Alfrédo Sixto (May 23, 1919, Gonaïves, Haiti – May 12, 1984, Philadelphia, USA) was a pioneer of a Haitian oral literary genre known as Lodyans, and distributed his works widely through the audio technology of his time, including LP's and cassettes.